Dream of Walnut Palaces



2025
Film
10 m


Director, Writer - Wendi Yan

3D Models - Wendi Yan
Environment Design - Wendi Yan
Animation - Wendi Yan
Skeleton Ghost Character Design, Modeling, Texturing - Haoyue Xu, Zeming Sun
Music Composition - Dasychira
Sound Design - Dasychira
Editing - Wendi Yan



Commissioned by the 6th VH Award, Hyundai Motor Group. 









Dream of Walnut Palaces is a CGI animation film reimagining the history of knowledge exchange between China and Europe in the late 18th century. It examines the Chinese-European clash of epistemic visuality and imperial imaginations during the height of the Enlightenment. Through a monologue narrated by a fictional character---a Daoist scholar who travels to Paris in the 1780s after working for Jesuits in the Qing dynasty Beijing, the film reimagines a historical moment at the precipice of modern science, in which Daoist metaphysics is taken to be integral to the shaping of new epistemic virtues.

At once an attempt to reflect a possible psyche rooted in historical research, and an effort in turning the narrative upside down, Dream of the Walnut Palaces takes the symbols characteristic of the time period and subverts them: the imperial ship sailing westward carries gifts of Chinese medicinal knowledge; the ship’s sails are made with ornamental laces and printed with Chinese medical illustrations; the magic lantern plays 

In her history research, Yan excavated details from secret scientific experiments in Qing China to magic lantern shows in Antoine Lavoisier’s Arsenal, in order to explore the psyche of an individual that didn’t exist, but she wished he did. What if, during the Age of Revolution, a Daoist master brought his wisdom to the Enlightenment scientists that were establishing the rules and orders for the emerging modern science?

Yan turns archival images into 3D models using AI, re-enacts historical illustrations with newly designed character models, and redesigns critical instruments from the time period. The film becomes a speculative historical study of epistemic visuality between China and Europe.

Utilizing the rhetoric of dreams, ghosts and shadows --- strong motifs that emerged from Yan’s history research, this film gives voice to the real ghosts of the Enlightenment: correlational thinking and embodied knowledge, which characterize not only Daoism, but many schools of thoughts and practice around the world now deemed to be “pseudoscience.” In this process of vocalization, Yan asks, what forms of knowledge have gotten lost in the project of modernizing, professionalizing, and standardizing science as we have done? Could a different modernity of knowledge-making have been possible?


《胡桃宫梦志》是一部CGI影片,重新想象18世纪中欧之间的知识交流。影片通过描绘一位虚构道士在巴黎实验室中的精神世界,探讨东西方在视觉认知体系上的冲突,并提出对技术东方主义的替代路径:一种融合道家形而上学的知识共生图景。借助游戏引擎、3D建模与AI技术,颜文笛将历史图像与遗失思想转化为视觉语言,为启蒙时代的“幽灵”与“孤儿”发声。





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